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(image source | Sindya N. Bhanoo via The New York Times)

Remember when you didn’t have to leave your house when you were sick because your doctor made house calls? Yea, well I don’t either, but I saw it in a movie once. However, getting to a doctor is a routine part of many individuals lives, especially the elderly. Many need to have weekly tests performed to manage health conditions. Beyond the inconvenience of constantly needing to visit your doctor and adhering to their appointment hours, many who experience severe difficulties with their mobility simply cannot make these trips without help and/or more suffering. Beyond the burden on the patient, this routine visits incur financial and administrative strains on doctors and hospitals, raising health care costs and delaying service for everyone. As a solution Denmark is pioneering in “telemedicine”. The NY Times recently ran an article in regards to the evolution of electronic medical records into home medical tests. Through the use of technologies and a few computer accessories individuals can take certain exams in the privacy of their own home and electronically submit the information gathered to their physician. Prescriptions can even be electronically sent to pharmacies to be filled, and if that pharmacy delivers, well you get the point about how these technologies can be a great benefit for all. Be sure to read The New York Times article after the jump for a personal take on this emerging technology.

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(image source | leequinones.com)

This week, Lee Quiñones, an artist who emerged from the subway art movement of the 1970s, will be responding to readers’ questions about his life, work and the evolution of graffiti as art in New York City.

“To ask Mr. Quiñones a question, please use the comments box [on the City Room site]. His first set of answers will appear in City Room on Wednesday [03.12.2010].

Mr. Quiñones painted his first subway piece in 1974. Inspired by the leading figures of subway lore, including Cliff 159 of the 3-Yard Boys, and Blade One of the Crazy 5, Lee began creating 40-foot subway car murals in late 1975. Over the next decade, he painted an estimated 115 whole subway cars throughout the Metropolitan Transportation Authority’s system. In late 1975, Lee was asked to join the Fabulous Five, an elite quintet of seemingly mythic graffiti writers. The Fabulous Five’s greatest feat — the only running 10-car train painted from top to bottom, end to end — made its journey in November 1976.

As his work gained widespread exposure, Mr. Quiñones found himself at the cross-section of two movements in their infancy: hip-hop and punk rock, which provided context for the direction of his work. During the early 1980s, Mr. Quiñones starred in “Wild Style,” a film directed by Charlie Ahearn that premiered in 1983. His work also appeared in Tony Silver’s and Henry Chalfant’s 1983 documentary film “Style Wars.”

Mr. Quiñones’s body of work extends across a huge scope — from canvas to large murals and installation to elaborate commissions. His paintings are housed in the permanent collections of the Whitney Museum of American Art, the Museum of the City of New York, the Groninger Museum in Groningen, the Netherlands, and the Museum Boijmans Van Beuningen in Rotterdam, the Netherlands, and have been exhibited at the New Museum Of Contemporary Art in New York City and museums in Paris and Germany.

Mr. Quiñones was born in Ponce, P.R., in 1960 and raised in New York’s Lower East Side.”

Source | NY Times City Room

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Source | Go Above

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No Longer Empty, an organization that organizes public art displays in otherwise vacant and dilapidated store fronts, invited GAIA to paint a mural on a roll-down gate in downtown NYC. What I love about this idea is it shows that the recent ban of roll-down gates on stores in NYC isn’t necessarily the best idea to “beautify” the town at night. Imagine when all the shops are closed a museum of street art opened to the public.

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(image source | M. Leavitt)

Looking for a last minute gift idea? Why not order yourself the Kim Jong Il teapot collaborative effort of artist Michael Leavitt and Charles Krafft. I heard Obama has two! Available here for $1200.

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Source | Posterchild via Vimeo

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